Three materials, one quiet conversation. Lilith begins with a mouth-blown glass base — transparent, weightless, catching light like water held still. A ceramic bowl rests above it, its glaze vivid and alive, the piece where colour lives and the hand of the maker is most felt. A turned wood crown completes the composition, grounding the whole in warmth and grain.

Stacked, Lilith is a vessel. Separated, three objects each with their own presence on a shelf, a table, a sill. It is a piece that invites rearrangement — an everyday ritual in itself.

Named for the first, and the most her own.

Each element is handmade with care:

• Glass: Hand-blown to capture light, form, and clarity

• Ceramic Hand thrown in Austria

• Wood Hand turned in Finland